A fanzine explaining the principles of risography, inspired by the graphic style of mangaka Kazuo Umezu.
This fanzine was printed in risography thanks to Quintal Atelier, in a Burgundy and Fluorescent green bichrome edition.
Reflection on an editorial project and its exploration of information storage and how we interact with it, whether in print or digital form.
For several years, I’ve been digging into, collecting, and analyzing works connected to hip-hop culture, rap, and the history of the suburbs. I question how an object can embody and convey an entire culture through its form. Books, CDs, and vinyls then become reservoirs of knowledge and memory, based on the principle of the archive.
With this project, I aim to flip that logic: to take this knowledge out of its usual frame, extract it from the object, display it, and make it visible in a new way.
This series explores my interest in experimental collage. Starting from photographs, I recombine images with scanned objects, book facsimiles, and fragments collected from everyday materials such as clothing or shoes.
These elements are sometimes barely visible but remain embedded within each composition. The process mixes digital manipulation with manual reworking on printed surfaces, creating images that exist between physical and digital practices.
Photoshoots built around a strong brand identity, capturing sweat, focus, and the raw energy of Raposa JJB, MMA & Grappling Team.
This book cover was designed for a graphic novel adaptation of Italo Calvino’s, Il Visconte Dimezzato.
The cover was conceptually designed to reflect the themes and events of the story.
I’m interested in exploring how we experience cities today and what connects the suburbs to Paris. I like to question urban life, how we navigate it, and how public spaces and transport shape our access to culture and society. My work investigates how visual representation can reveal overlooked perspectives and challenge common assumptions.
This fictional project imagines a collaboration between La Poste and Franceinfo, printed using a three-color risograph inspired by the symbolic colors of the United States.
The stamp references the Super Bowl halftime show, where Kendrick Lamar delivered thought-provoking stories and Uncle Sam was caricatured by Samuel L. Jackson, creating a visual contrast with traditional American symbols.
The design highlights social and racial issues, including inequality and poverty.
This edition is a graphic reflection on externalized memory, fragmented online identities, and the idea that we might never truly disappear. We often talk about the future, about exoskeletons that feel like science fiction. But our real exoskeletons are already here: in our pockets through our phones, in our clouds, in our algorithms.
This edition is also the result of a dialogue / a reflective process between human and machine, and artificial intelligence.
Sketchbooks open a window onto new ways of observing the world around me.
Like photographs, my sketches capture simple human moments from everyday life.
This project explores the creation of educational tools for 12-year-old students to engage with Amazonian culture. Through discussions and interactive activities, the aim was to help children understand how body and spirit are connected in Amazonian traditions. These insights informed the design of mediation devices that make learning about these cultures accessible and meaningful.
This editorial project gathers a selection of my projects and visual inspirations. Most of the works presented are digital, including 3D modeling. The goal was to translate these digital creations into a tangible printed object, giving them a physical presence beyond the screen.
Each technique becomes a tool for observation, experimentation, and understanding.
